A standard box is likely the most common box type you'll use, as it allows you to add assets and Rich Text/HTML content to your pages. A standard box is flat, in the sense that the content you add displays directly on the page. This is in contrast to a tabbed box, which allows you to divide content in the box across multiple tabs. For adding simple content to your guide, therefore, a standard box is always a good option as it will give you the simplest layout.
A tabbed box allows you to divide content in a box across multiple tabs -- in other words, it's like having multiple standard boxes stack on top of each other. When a user clicks a tab in the box, then they will see the content added under that tab.
Tabbed boxes work best when you group similar content together. For example, if you had a box listing databases for a particular subject, you could have tabs for:
As helpful as tabbed boxes can be, however, avoid having too many tabs in one box because it can make content difficult to find. Try to also keep the names of your tabs succinct to avoid the tabs displaying on multiple rows.
You can create galleries of images, books, databases, guides, and/or LibCal Events using the Gallery box type. It's easy to set up, you can mix and match any of the mentioned content items, and control settings like slide/transition speed, number of slides that appear at once, navigation dots, captions, and more.
The Gallery box was built with accessibility in mind, though (as with most other areas of the system) exactly how accessible it remains largely depends on what's added. For example: the box is accessible via keyboard and screen reader; an Alt Text field is available for all images; the left / right arrows on the box (to denote navigation between slides), dots (also denoting navigation / more slides), and captions do not overlap images.
| This course surveys Native North American art from prehistoric artifacts to present day artworks. Major regional areas of study include the arts of the Eastern Woodlands, Great Plains, Northwest Coast, Southwest, and Mexico. Study focuses upon artworks within their historical and social context and the aesthetic, cultural, and symbolic meanings of traditional and contemporary North American Indian art. |
A Study of Pueblo Pottery as Illustrative of Zuni Culture Growth by 
Zuñi folk tales by 
Contributions to the ethnology of the Kwakiutl by 
Handbook of American Indian Languages by 
Publications of the American Ethnological Society. by 
A rock painting of the Thompson river Indians, British Columbia by 
The Jesup North Pacific Expedition. Volume VII The Decorative Art of the Amur Tribes by 
Antiquities of the Mesa Verde National Park: Cliff Palace by 
Antiquities of the Mesa Verde National Park Spruce Tree House by 
Antiquities of the Upper Verde River and Walnut Creek Valleys, Arizona by 
Hopi Katcinas Drawn by Native Artists by 
Prehistoric Villages, Castles, and Towers of Southwestern Colorado by 
Import of the Totem by 
The Omaha Tribe by 
Handbook of American Indians North of Mexico, Part 1 by 
Handbook of American Indians North of Mexico, Part 2 by 
Turquois Work of Hawikuh, New Mexico by 
Ancient Pottery of the Mississippi Valley by 
Handbook of Aboriginal American Antiquities by 
A Study of the Textile Art in its Relation to the Development of Form and Ornament by 
The Use of Gold and other Metals Among Ancient Inhabitants of Chiriqui, Isthmus or Darien by 
The Ghost-Dance Religion and the Sioux Outbreak Of 1890 by 
The Siouan Tribes of the East by 
Early History of the Creek Indians and their Neighbors by 
Indians of the Southeastern United States by 
The Indian Tribes of North America by 
Indian Tribes of the Lower Mississippi Valley and Adjacent Coast of the Gulf of Mexico by 
Source Material for the Social and Ceremonial Life of the Choctaw Indians by 
